My recent visit to Barcelona happened to coincide with an amazing party at the biggest squat I have ever been to in my life. Seriously, the Can Masdeu is lord of all squats. It is big enough to eat all the other squats I’ve ever visited. The party was to celebrate the 10-year anniversary of the squatters’ and the community’s successful thwarting of a several-day police eviction attempt. Folks were pretty stoked at the party. I danced until 6:30am, and as I left, I passed probably 100 more people who were just arriving. That’s how they roll in Barcelona.
Can Masdeu: it’s big.
At around midnight I got to experience something really moving and intimate. A group of singers herded/ushered a couple hundred of us into a big room in the middle of the huge squatted building. The whole property had once been a leper colony, and apparently this room had been a big bathing room. The walls were stone, the ceiling high, the lights were low, with a small disco ball hanging from the ceiling, slowly rotating. The room was packed full, most folks sitting on the floor, everyone listening intently. There were maybe 15 singers, accompanied by one Spanish guitar. They sang several old songs from the Spanish revolution (e.g Ay Carmela). It was breathtaking, conjuring so much history, beauty, and tragedy.
Listening to the singers, I started thinking about how important group singing is to social movements. I had previously heard old original recordings of some of the songs — had heard the hope in the chorus of voices. Sitting there, I thought about how persistently Miles Horton emphasizes group singing in his (must-read) autobiography. And then I was trying to recall the details of a study I’d read that asserted evidence that deep primal group bonding is achieved through group singing. More and more thoughts, stream of consciousness. I had brought a pen just in case I might have some thoughts (they’d been coming frequently during my travels!). I quickly jotted them down on the backside of the directions (to the party) my friend had printed for me:
Is there a parallel in the extrication of politics from the fabric of most people’s lives (and groups) and the extrication of music? Music, like politics, is still in our lives in that it is all around us, but we are passive to its force. It affects us, but we lack agency — we defer to musicians as we defer to politicians (or even to “activists”). Music, politics, sex — everything primal and powerful — is sterilized, arrested, under control, and sold back to us as a tame consumer good. We are passive. We are spectators.